Showing posts with label Emraan Hashmi. Show all posts
Showing posts with label Emraan Hashmi. Show all posts

Friday, December 16, 2011

Is Bollywood finally bold and sexy?

Vidya Balan with Emraan Hashmi and Tushar Kapoor in a still from The Dirty Picture



Bollywood is coming out of the closet. Bold depictions and taboo topics have suddenly become common on the big screen as well as on TV. What was considered forbidden so long is becoming saleable subject and being served as entertainment.

Male strippers, sperm donors, extra-marital sex, the casting couch, free use of cuss words and the middle finger, and exploited starlets suddenly comprise themes in commercial Bollywood. While it is still understandable if going bold is a part of the big screen masala, the Indian middle class audience got a shock when porn star Sunny Leone entered the reality show Bigg Boss 5. On the big screen, use of expletive, double innuendos and objectionable gestures - till now avoided by filmmakers or underplayed on screen - are suddenly considered to be ways of expression.

"The audience wants to look beyond regular entertainment that they have been getting for years. We cannot let several interesting issues remain hidden under the carpet simply because these issues are bold," says Milan Luthria, director of The Dirty Picture, a film that grossed it big by unabashedly projecting the life of eighties sex bomb Silk Smitha.

"It is not that only showbiz has gone bold. Society at large has developed a rather daring approach towards life. People in their day-to-day life now openly discuss what was taboo in the past and this is the reason that films are being made on such themes," says Prahlad Kakkar, adfilmmaker and image consultant. "For how long will the audience watch cliched symbolism like two roses coming together or two birds flying? Filmmakers have to explore bold themes boldly so that the audience is amused and entertained."

Luthria's The Dirty Picture openly discussed sleaze behind the glitter in showbiz through Silk's life story. Vidya Balan's bold portrayal of a village girl's ambitious shortcut to the top was widely appreciated by the masses. On screen, Vidya, known so far for her demure image, shocked the audience with her dare-bare act as Silk Smitha. The success of the film proves the audience is willing to accept bold themes.

On the other hand, Akshay Kumar and John Abraham, image-conscious superstars, surprised all with their performances as strippers Rohit Dhawan's Desi Boyz. The film highlights how two London-based Indians lose their jobs in the time of recession and are forced to take up jobs as male escorts in a nightclub. Bollywood hunks Akshay and John strip down to innerwear only to be cheered by the stinking rich women guests at the club.

Sperm donation is another issue that was avoided by filmmakers till now. In Onir's episodic film, I Am, one of the segments has Purab Kohli playing a young boy who makes a living as a sperm donor. The story shows how a single woman played by Nandita Das approaches the donor.

Elsewhere, veejay Ayusshman Khurana makes his Bollywood debut with Vicky Donor, where he plays a budding cricketer who becomes a sperm donor to earn a few extra bucks.

Thanks to moral policing, filmmakers till recently were wary of what they showed on screen. This included the use of language in the dialogues. However, a change in the trend was noticed this year with Delhi Belly, Bhindi Baazaar Inc. and No One Killed Jessica, where cuss words were liberally used.

The Aamir Khan-produced Delhi Belly, fast emerging as a cult film, was promoted as an adult comedy where the use of colloquial urban language was considered natural because that's how our youth speak nowadays.

"Delhi Belly is an accurate take on the youth of today. If you are making a film describing the modern urban youth then you can't be showing them as ideal virginal kids in designer clothes, who don't do anything bad or wrong," said Imran Khan, the fil's hero at the time of the release.

The change is not just restricted to language. The middle finger has emerged as a popular gesture for a range of expressions.

In Rockstar, Ranbir Kapoor expresses aggression showing the finger to a crowd. In No One Killed Jessica, the finger is Rani Mukerji's way of saying she doesn't give a damn about life. Sonam Kapoor is seen showing the finger at the camera in a promo of the upcoming Players, as a gesture of going one-up in a certain situation. Hrithik Roshan was seen making a similar gesture in Zindagi Na Milegi Dobara.

Rockstar director Imtiaz Ali was clear that Ranbir's finger action is "bold" for the Indian mindset but was necessary "to show the point of view of a rebel".

While the finger fetish has caught on, the censors really drew the line on Sonam's gesture in Players when Abbas-Mustan, makers of the film, tried showing the scene in the television promos. The scene has since then been blurred in the television promos.

It is not just films, even television - widely considered a medium for the middle class family audience - is going no-holds barred. There is now a slot after 11 pm for adult content. Colors channel readily made use of the late timing by introducing porn star Sunny Leone in Bigg Boss 5. While the housemates were not told who Sunny really is, the PR machinery of the show ensured the press was supplied with enough information to let the audience know what her real calling is.

As Sunny went pole dancing on the show, the TRPs of the show increased - proving the viewership was indeed interested. Google searches and downloads of content featuring Sunny have gone up, and the middle class has accepted watching a godman and a porn star on the same show.

"Gone are the days when showbiz had to be politically correct. The fact that such efforts are yielding good business proves the audience has started to enjoy mature subjects that were till now referred to in hushed tones," says trade analyst Taran Adarsh.

Although the audience has been enjoying such content, a counter argument is that these are quickfix attempts to draw the crowds. "Bold themes need to be dealt with a lot of creativity and finesse. Failing this, the attempt can become cheap and gross. The focus should be on combining creativity with entertainment," adds Adarsh.

Very few in Bollywood have successfully dealt with bold subjects in the past. For instance, Dev Anand's Guide openly depicted extra-marital love way back in 1965. Anand was also among the earliest actor-filmmakers to deal with drugs in Hare Rama Hare Krishna in 1971. Yash Chopra presented Waheeda Rahman as a woman who abandons her daughter from a pre-marital relationship in his 1976 film, Kabhie Kabhie. Chopra also faintly touched on incest in his 1991 film, Lamhe. These however were rare instances. Mainstream Bollywood seems to be growing up only now.


Read more at: http://indiatoday.intoday.in/story/bollywood-the-dirty-picture-desi-boyz-delhi-belly/1/164656.html

Friday, July 8, 2011

Murder 2 Movie Review

We live in an era wherein brands and franchise have become the order of the day. When a movie works with the audience and also has strong recall value, the film-makers plan to keep the franchise breathing by either making a prequel or sequel. Though MURDER had released more than seven years ago [April 2004], it continues to linger in public memory for varied reasons and not only for its sizzle factor. MURDER had a spellbinding story, great music and proficient performances by its principal actors. In fact, MURDER catches the attention of spectators to this date and obtains high TRPs, despite several telecasts on TV. 'Tremendous repeat value', like they say in filmi parlance.

Mahesh Bhatt and Mukesh Bhatt choose not to make movies with big stars. Instead, they substitute stars with big initiatives and innovative concepts. In fact, their penchant to work with a new cast and crew is simply unstoppable. Besides, the success ratio indicates that their strategy has paid off rich dividends even with fresh talent. What sets apart their films, besides the above said reasons, is the fact that their films are high on sexual content. An innovative story with generous doses of eroticism has always proved a winning blend.

The Bhatts' new offering is the sequel to MURDER. This one's set in Goa during Christmas and New Year, when vacationers flock this hugely popular touristy destination. The bustling streets and beaches make it impossible for the authorities to keep tabs on everyone and everything.

Before I begin analyzing MURDER 2, let me clear a few misconceptions. The writer of this film may have drawn some inspiration from the Korean film THE CHASER [2008], but it's not a blatant rip-off. Nor is it a remake or adaptation of the American action film 12 ROUNDS [2009]. MURDER 2 deals with the crimes related to the flesh trade and exposes the murkier side of the society.

MURDER 2 offers edge of the seat entertainment, thus taking the MURDER brand forward. It's not a sequel in the true sense of the word. It has a completely new story to tell with fresh characters, is bolder and far more erotic, plus the clash between the good and the evil is one of the key components of the franchise.


Mohit Suri, who had directed the sequel to RAAZ [RAAZ THE MYSTERY CONTINUES], is also entrusted the responsibility of taking the MURDER series forward. Compared to what Anurag Basu did in MURDER, MURDER 2 is a dark film. Mohit is an efficient, stylish storyteller and he leaps notches above the prequel in every aspect. There are some scenes that may appear disturbing, but that's the strength of this movie. It's not for the weak-hearted. In point of fact, Mohit and writer Shagufta Rafique take the story to a heightened violent level.

Arjun [Emraan Hashmi] is an ex-cop who earns his bread doing the odd jobs for gangsters and flesh traders. Arjun meets Sameer, a Goan flesh-peddler, who has been suffering a huge loss as his hookers have been disappearing mysteriously. He assigns Arjun the responsibility of tracing the missing girls. Priya [Jacqueline Fernandez], a model, loves Arjun. However, he is hesitant to commit to this relationship.

Arjun realizes that the missing hookers are connected by one cell phone number. He decides that in order to catch the lion one must feed him the lamb. He devises a plan that involves sending a girl to the particular customer.

Reshma [Sulagna Panigrahi], a college student, takes to prostitution to support her family. She becomes the innocent prey and is sent to the antagonist Dheeraj's [Prashant Narayan] house. The unexpected happens. In the meantime, Arjun and Dheeraj cross paths. Arjun gets into a tiff with Dheeraj and they both land up at the police station. Dheeraj admits to a crime so heinous that even the police are stunned by his outrageous behavior.

Now it's all up to Arjun. He has just one night to find proof against Dheeraj and also trace Reshma.

Director Mohit Suri and writer Shagufta Rafique come to the point at the very start, when a gruesome murder takes place. Thereafter, we are introduced to the varied characters in the plot and what makes it all the more interesting is that all characters are either grey or black. Also, the identity of the serial killer is never concealed, but the motive is, which one realizes much later. It comes as a jolt, honestly!

While the screenplay gives you no time to ponder since it unravels at a feverish pace, the assorted characters and their tracks keep you on tenterhooks throughout. The victim finds herself cornered, the ex- cop is looking for evidence, the serial killer finds himself being shielded by a powerful and influential person... the sequence of events that lead to the culmination are truly nail-biting.

On the flip side, the story stagnates slightly towards the beginning of the second hour. The sequence between Emraan and Jacqueline at the former's home, with Jacqueline in an inebriated state, appears like a forced add-on. Also, one misses the chartbusting 'Bheege Honth Tere' kind of track in this hour, since the two songs that are hugely popular have been placed in the first hour.

Director Mohit Suri reignites the flicker that he illustrated in his early films. He's a skilled, competent storyteller and this film reiterates the fact yet again. Ditto for writer Shagufta Rafique, who's supremely talented as well. Though she may seem inspired from a source, Shagufta gives MURDER 2 her own color and shade. Both Mohit and Shagufta push the limits in terms of the characters and the situations that have been created. You just can't guess what's up in store next, which has ample scenes that would leave you startled and dazed. The Bhatts have always had a good track record as far as music goes and MURDER 2 is no exception. If one avoids comparing the soundtrack with the prequel, this film has a rich soundtrack that works well. 'Haal E Dil' [music: Harshit Saxena] and the track filmed on Yana Gupta at the onset, 'Aa Zara' [music: Sangeet Haldipur-Siddharth Haldipur], are first-rate compositions. Ravi Walia's cinematography is top notch.

Both Emraan and Prashant Narayanan vie for top honors. Emraan delivers a spirited performance, playing the angry guy to perfection. He's so with the character. In fact, this would rank amongst Emraan's most accomplished performances. Prashant is a dynamic actor -- a fact that has been proved time and again. This film is sure to make people sit up and notice this wonderful talent. Stepping into Mallika's shoes in the sequel is Jacqueline. Like Mallika, she takes the boldness quotient to the next level with her sexy avatar. She should grab a lot of eyeballs for the oomph factor, while her performance is decent. In fact, she gets little scope to display histrionics, but she makes a sincere attempt to portray her character with care.

Sulagna Panigrahi is a talent to watch out for. She's first-rate. Sudhanshu Pandey enacts his part with a lot of confidence. Sandiip Sikcand surprises with a stellar act. Though a brief part, his performance adds a lot of spice to the proceedings. Shweta Kawatra shines in that lone sequence. Yana Gupta sizzles in the opening track.

On the whole, MURDER 2 is one of the finest crime stories to come out of the Hindi film industry. Also, as a film, it lives up to the expectations that you may associate from a sequel of a smash hit. This one's bolder, more erotic and has a story that will astound and astonish you. The Bhatts have a winner on hand!

Thursday, July 7, 2011

Bollywood Actor Emraan Hashmi: Tao of the Serial Kisser


Emraan Hashmi came, saw and smooched with 'Murder'ous vengeance! At the staircases, against walls, on the sunshades, in the shower... Emraan teased the Indian prudes wherever he could. Topography, Anatomy and Geography were no barriers. Only Passion was accounted for. And they gave him the title of the Serial Kisser. A legend was born!

On the eve of his latest release, 'Murder 2', here is a pictorial tribute to Emraan Hashmi.

Source: India Syndicate

Image Source: Santabanta, Bollywood Hungama, MovieTalkies

Sunday, March 20, 2011

First Look of Emraan and Jacqueline in ‘Murder 2′

Former beauty queen Jacqueline Fernandez who already won the label of Miss Sri Lanka Universe in 2006 made her debut in Bollywood with ‘Aladin’ in 2009.

She could not make her presence felt with her debut but is now surely creating ripples with her boldness and uninhibited skin show in Mohit Suri’s ‘Murder 2’ where she made an entry replacing Mallika Sherawat. Reports suggest that the 25-year-old Sri Lankan beauty will be doing some very intimate scenes with Emraan in the film and will soon make us forget the sizzling Mallika in ‘Murder’. The thriller is being directed by Mahesh Bhatt and is set to hit the screens on July 8, 2011.

Check out the first look of the film and decide its hotness quotient for yourself……..

Friday, February 11, 2011

First Look : Murder 2 Movie Poster


Well, when Mahesh Bhatt said that ‘Murder 2′ will go beyond the original film, he wasn’t kidding! Take a look at the first look of the movie where Jacqueline is piggy-backing on Emraan’s shoulders, who’s half naked himself! There’s quite a ‘skin’ show in this one, alright!

Producer: Mahesh Bhatt
Director: Mohit Suri
Star Cast: Emraan Hashmi, Jacqueline Fernandez
Release Date: July 22, 2011

Sunday, December 5, 2010

First Look: DIL TOH BACCHA HAI JI

Cast: AJAY DEVGN, EMRAAN HASHMI, OMI VAIDYA, SHRUTI HAASAN, SHAZAHN PADAMSEE, SHRADDHA DAS, TISCA CHOPRA

Producer: MADHUR BHANDARKAR, KUMAR MANGAT PATHAK

Director: MADHUR BHANDAKRAR

Wednesday, July 7, 2010

Emraan Hashmi not part of Fear Factor

Emraan Hashmi is angry! According to our source he is put off by rumour mongers who are regularly spreading stories that he is a part of Fear Factor which has Priyanka Chopra as the host. Reports say that Emraan Hashmi was one of the 13 contestants of the reality show. “But there is not a single grain of truth to it,” said a source close to Emraan Hashmi. “How can he be one of the short-listed contestants when Emraan Hashmi has not even been approached for it.

These stories are baseless and outlandish. What enjoyment people get by spreading fake stories I don’t understand.” Emraan Hashmi is neck deep with commitments and cannot take up further work as of now. The actor then starts dubbing for Crook: It’s Good To Be Bad following which he will start shooting for Madhur Bhandar-kar’s Dil Toh Bachcha Hai Ji.